Comica CVM-V30 is an affordable shotgun mic for DSLR cameras with 3.5mm Jack. People who are drawn to the TAKSTAR SGC-598 are mostly those who are exploring the world of shotgun MICs for the first time but don’t wish to fully dedicate their time and resources towards sound quality. For voice recording (interviews, voiceovers, explainer videos, etc.) It’s compact, has an “auto-on” mode, and includes a windscreen. The design also means that it is not only good at dealing with noises from the environment alone, but from the camera itself. If you have a small, compact DSLR, then you don’t want a shotgun mic that will topple over your device (and maybe even the tripod it’s connected to). 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Supercardioid design … While it has just a single slot for an AA battery, the TAKSTAR’s SGC-598 can manage to record for about 100 hours on just a single battery. The Rode VideoMic Pro is a great on-camera shotgun mic that gives you a ton of flexibility. Both mics are mounted and positioned so that you can use the eyepiece without additional mounting equipment. Join millions of readers - enter your email here: Sign up for the Iris remote recording platform waitlist here! The rather long design of the NTG2 is based on its capability to accommodate a 1.5V AA battery or a P48 phantom power that can be supplied by audio recorders or even power supplies. Instead, you'll want one of the best shotgun mics available today. Still an excellent choice for about $90 less. Despite the price point, this shotgun mic for DSLR comes equipped with sensitivity and attenuation adjustment features which make recording easier. The VP83F allows you to vary the gain in 1dB increments all the way up to 60dB. Having the ability to record with and without a camera opens up your options a ton. The TAKSTAR SGC-598’s unique selling point lies in its price, simplicity, and superiority to the stock microphone that your camera came with. A site dedicated to helping VFX, Photography, Videography and Graphics Professionals make the best buying decisions. We’re going to take a look at the best shotgun mics in 2020 that are designed to be used on-camera, but of course, will work off-camera as well…, Quick Overview: Best On-Camera Shotgun Microphones For DSLR Video Cameras. The Canon DM-E1, for instance, works as a shotgun mic and as a stereo MIC. It doesn’t have the same fine boost control (you get -10dB, 0dB, and +20dB) or external recording, but you get amazing sound on a single AA battery. It can be confusing to understand which one to get, so we’ll try to simplify it for you. First of all, there are three different power options, so you can rely on this mic … There are 2 models: one with a flash recorder and one without. The inclusion of a safety channel which records at lower gain settings is also useful since you can rest assured that you won’t get poor quality sounds in the event there’s clipping. On-camera shotgun microphones are an easy way to up your audio quality when recording with a DSLR video camera. As for the features of the VideoMic, it has Rycote Lyre shock mounting, 80Hz high pass filter (to get rid of things like car noise or HVAC systems), -10dB and -20dB PAD, and records from 40Hz to 20kHz. The self-noise level is extremely low as well. RØDE is at it again, but this time, with the RØDE NTG2 Condenser Shotgun Microphone which at first glance might not see far different from the VideoMic Pro+. This uses an XLR port, which your DSLR may not have. Improved sensitivity. We’re just looking at the directional shotgun style mics for film, but they also have a line of Stereo VideoMic’s. Being highly directional, the shot microphone should be targeted directly at the source for better clarity. It also has a 0dB and -10dB setting, a flat and 80Hz high pass filter, and very low self-noise. The Canon DM-E1 is unique because it is switchable from shotgun mode to 90-degree and 120-degree stereo width. Like all the VideoMic’s, it includes a Rycote Lyre shock mount, but this one is detachable. If you happen to be in environments where there’s a lot of noise, all you need to do is tweak a few settings on the RØDE VideoMic Pro+ and adjust the recording sound for your specific environment. Again, no battery is required for this mic and it’s a great choice if you want something that is easy to travel with. The main reason is the fine boost control that you don’t see on other similar mics – you can change the gain up to +60dB in 1dB increments – allowing you to get the perfect level right on the mic! It definitely has a cheaper build and feel than the other shotgun mics and you don’t get a shock mount. There are no extremely unique details that would make you go “wow” visually, but it does look a little more compact and clutter free compared to the other shotgun microphones. If you have invested in a good digital SLR or more modern mirrorless camera for video purposes, the built-in microphone … Rode really listened to their customers on this one and definitely delivered. The two 3.5mm earphone jacks on the MIC allow you to record while listening concurrently. Here’s an awesome comparison using a Canon 6D (which doesn’t have a great microphone preamp) showing where you need to set the recording levels to pick up sound 16″ away: Another big difference is how much bass the mics pick up.
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